Philip Wild, an enormously corpulent scholar, is married to a slender, flighty and wildly promiscuous woman called Flora. Flora initially appealed to Wild because of another woman that he’d been in love with, Aurora Lee. Death and what lies beyond it, a theme which fascinated Nabokov from a very young age, are central. The book opens at a party and there follow four continuous scenes, after which the novel becomes more fragmented. It is not clear how old Wild is, but he is preoccupied with his own death and sets about obliterating himself from the toes upwards through meditation, a sort of deliberate self-inflicted self-erasure.